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The Discourse of Character Education: Culture Wars in the
Classroomreviewed by Julie
Stewart — October 07, 2005
Title: The Discourse of Character Education:
Culture Wars in the Classroom Author(s): Peter Smagorinsky,
& Joel Taxel Publisher: Lawrence Erlbaum Associates, Inc.,
Mahwah, NJ ISBN: 0805851267, Pages: 416, Year:
2005 Search for book at
Amazon.com
In The Discourse of Character Education: Culture
Wars in the Classroom, authors Peter Smagorinsky and Joel Taxel
examine “how character education is grounded, framed, implemented, and
assessed, focusing on the discourse of proposals submitted to OERI (Office
of Educational Research and Improvement) for character education funding”
(p. xv). These proposals were submitted in response to an OERI Request for
Proposals as part of its Partnerships in Character Education Pilot
Projects grants in the last half of the 1990s. Smagorinsky and Taxel
requested proposals and other documents from the 31 states that received
OERI funding, but only 11 states responded to their request. Of that
number, 8 states provided full documentation including proposals; and
three provided limited materials such as pamphlets and fliers.
Additionally, the authors examined web-site descriptions of five other
OERI-funded state initiatives.
The study is based on a “relational analysis of
schooling and culture” (p. 13), a method that derives from the author’s
belief that texts are situated in specific discourse streams—that is,
texts emerge from and are embedded within specific and local contexts and
cultures. Interrogating the texts from this perspective, Smagorinsky and
Taxel determined that the discourses of these proposals fell along a
philosophical continuum with one pole being “didactic and individualistic”
and the other “reflective and communitarian.” They chose two proposals
that fell within each extreme and focused on them to “identify the
ideological nature of the different conceptions of character and how to
educate for its betterment” (p. 17), locating them within geographical and
cultural parameters of the Deep South and the Upper Midwest, respectively.
The researchers present their study in five parts.
The first section, consisting of five chapters, includes an impressive and
clear history of character education in the United States and a careful
outlining of the major points and players in the current debates. The
second section of The Discourse of Character Education outlines
commonalities that exist within the discourses of the Deep South and the
Upper Midwest. The focus of this section then shifts to a somewhat cloudy
review of the discourses of each region regarding character education as
revealed in the proposals. In each case, the book focuses on
locating each within an intertext of ideas that represent an ideological
perspective on society. The third and fourth sections examine the cultural
context of each respective region, identifying the cultural values that
are embedded in and contributed to creation of the proposals and then
using this frame to examine the curricula that were developed as part of
the grant within the specific regions. The final section presents findings
and conclusions.
Smagorinsky and Taxel’s Discourse of Character
Education raises interesting questions and opens provocative
discussion about the current character education movement and of the
actors within it. At times, Smagorinsky and Taxel mirror easy,
stereotypical visions of the South and Midwest. Additionally, the authors
identify but under examine a problem that arises in their study: the role
of the discourses of the RFP itself in shaping the discourses of
proposals. All RFPs come to grant writers with ideology embedded therein
and are thus located within specific cultural contexts. Responses to these
RFPs are tricky and complex undertakings, developed for two primary
reasons: (a) the writers have a perceived vision and/or a need; and (b)
they seek resources to fund and support it. This situation requires that
they navigate between their vision and the demands they must meet in order
to secure funding. In other words, they must fit their discourse and their
response within the frame laid out in an RFP. This tension raises an
important question: How much does a proposal’s discourse reflect its
creators’ cultural ideologies and needs and how much does it reflect their
perception of the ideologies, discourses, and demands of the RFP and its
reviewers? How researchers and scholars can unravel one form of discourse
from another through textual analysis remains unclear.
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- Julie Stewart
Loyola University E-mail Author JULIE STEWART
is Assistant Professor in Curriculum and Instruction at Loyola
University, Chicago. Currently, she is involved in the study of
habits of discourse between administrators and teachers in teacher
inquiry groups in urban schools.
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